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Meet the Nominees - Best Cinematography, Original Score, and Sound - Oscars 2025
February 11, 2025Table of Contents
- 01:38 “The Brutalist” - Lol Crawley
- 02:52 “Dune: Part Two” - Greig Fraser
- 04:36 “Emilia Pérez” - Paul Guilhaume
- 06:48 “Maria” - Ed Lachman
- 09:08 “Nosferatu” - Jarin Blaschke
Table of Contents: CINEMATOGRAPHY
This past year featured some of the most stunning, innovative, and groundbreaking work in the categories of Cinematography, Original Score, and Sound. And since we’ve been diligently interviewing the artists and teams who have received Academy Award® nominations in those categories, we offer you this special round-up episode — to help give some greater insight into how to cast your final votes. The soundbites in this episode are mere snippets from the discussions we’ve been conducting through the past several months. If you’d like to take a deeper dive:
237 - Lol Crawley and the Cinematography of The Brutalist - Feb 10th, 2025
189 - Greig Fraser and the Cinematography of Dune: Part Two - March 5th, 2024
220 - The Making of Emilia Pérez - Dec 4th, 2024
236 - Ed Lachman and the Cinematography of Maria - Feb 7th, 2025
231 - Jarin Blaschke, Robert Eggers, and the Cinematography of Nosferatu - Jan 28th, 2025
233 - Daniel Blumberg and the Music of The Brutalist - Feb 3rd, 2025
232 - Volker Bertelmann and the Music of Conclave - Jan 31st, 2025
220 - The Making of Emilia Pérez - Dec 4th, 2024
219 - The Music of Wicked - Nov 27th, 2024
235 - Kris Bowers and the Music of The Wild Robot - Feb 5th, 2025
223 - Director James Mangold and the Sound and Music of A Complete Unknown - Dec 9th, 2024
217 - Director Denis Villeneuve and the Sound of Dune: Part Two - Nov 21st, 2024
220 - The Making of Emilia Pérez - Dec 4th, 2024
222 - Director Jon M. Chu and the Sound and Editing Wizards of Wicked - Dec 6th, 2024
234 - Capturing Wicked's Live Singing with Simon Hayes - Feb 4th, 2025
210 - The Sound of The Wild Robot, with Writer/Director Chris Sanders - Oct 1st, 2024