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The Epic Sound of the Stranger Things Finale
Be sure to check out “Stranger Things,” now streaming on Netflix, in Dolby Vision® and Dolby Atmos®. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out...
Dolby Creator Talks
295 episodes
The Sound of Tuner, with Leo Woodall and Johnnie Burn
Be sure to check out “Tuner,” now playing in theaters, in Dolby Vision® and Dolby Atmos® where available. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also chec...
Mariah Carey Live in Dolby Atmos, with Mix Engineer Paul Falcone
Stay connected! - Listen to Mariah Carey and many other classic and contemporary artists mixed in Dolby Atmos on enabled streaming music services. - Find out more about the work of Paul Falcone o...
Finding the Money to Make Movies, with Carlos López Estrada
Joining the discussion: - Marissa Frobes – Media Finance Agent, CAA - Chris Quintos Cathcart – Independent Financier and Co-CEO of Unapologetic Projects - Riel Roch-Decter – Producer (“Earnhardt...
Mixing Maroon 5 Live in Dolby Atmos, with Vince Casamatta
Stay connected! - Listen to Maroon 5 and many other classic and contemporary artists mixed in Dolby Atmos on enabled streaming music services. - Check out Maroon 5 tour dates here. Interested in...
The Sound of Lee Cronin’s The Mummy
Be sure to check out “Lee Cronin’s The Mummy,” now playing in theaters and Dolby Cinemas® in Dolby Vision® and Dolby Atmos®. Please subscribe to Dolby Creator Talks wherever you get your podcasts....
Mixing Carlos Santana Live in Dolby Atmos, with Kevin Madigan
Stay connected! - Listen to Kevin Madigan's mixes of tracks from Santana's “Supernatural” album, as well as many other classic and contemporary artists in Dolby Atmos, on enabled streaming service...
The Music of Project Hail Mary, with Composer Daniel Pemberton
Be sure to check out “Project Hail Mary” now in theaters in Dolby Vision® and Dolby Atmos®. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the vide...
Assistants - The Invisible Glue of Hollywood, with Carlos López Estrada
Joining the discussion: - Abhijay Prakash – President of Blumhouse - Keenen Kunsh – Assistant to Abhijay Prakash, Blumhouse - Christina Chou – Motion Picture Literary Agent, CAA - Brendan Kim –...
Oscars Voting Guide 2026
https://tinyurl.com/k7nu9zs5 BEST CINEMATOGRAPHY - Frankenstein, with Dan Laustsen and Director Guillermo del Toro - Marty Supreme, with Darius Khondji - Sinners, with Autumn Durald Arkapaw - ...
The Cinematography of Sinners, with Autumn Durald Arkapaw, ASC
Be sure to check out “Sinners,” now streaming on HBO Max, in Dolby Vision® and Dolby Atmos®. Check out our playlist of exclusive interviews with the 2026 Academy Award® nominees. Please subscribe...
The Sound of One Battle After Another
Joining today’s conversation: - José Antonio García - Production Sound Mixer - Tony Villaflor - Re-recording Mixer - Chris Scarabosio - Re-recording Mixer, Supervising Sound Editor, and Sound De...
The Cinematography of Marty Supreme, with Darius Khondji, ASC, AFC
Be sure to check out “Marty Supreme,” now available for at-home purchase or rental, as well as in select theaters, in Dolby Vision® and Dolby Atmos®. Check out our playlist of exclusive interviews...
Cinematography of Train Dreams, with Adolpho Veloso
Be sure to check out “Train Dreams,” now streaming on Netflix, in Dolby Atmos®. Check out our playlist of exclusive interviews with the 2026 Academy Award® nominees. Please subscribe to Dolby Cre...
The Sound of Guillermo del Toro's Frankenstein
Be sure to check out “Frankenstein,” now streaming on Netflix, in Dolby Vision® and Dolby Atmos®. Check out our playlist of exclusive interviews with the 2026 Academy Award® nominees. Please subs...
The Sound of Sinners
Be sure to check out “Sinners,” now streaming on HBO Max, in Dolby Vision® and Dolby Atmos®. Check out our playlist of exclusive interviews with the 2026 Academy Award® nominees. Please subscribe...
The Sound of Sirât, with Director Óliver Laxe
Be sure to check out “Sirât” in Dolby Atmos®, where available. The film will be in theaters in New York and LA on Friday, February 6, followed by a nationwide rollout later in February. Check out ...
Oasis in Dolby Atmos, featuring Mix Engineer Ryan Hewitt
Stay connected! - You can listen to the Oasis catalog as well as many other classic and contemporary artists in Dolby Atmos, on enabled streaming services. - Follow Oasis on Instagram. - Follow ...
Bradley Cooper and the Sound of Is This Thing On?
Joining today’s conversation: - Bradley Cooper, Director, Producer - Dane A. Davis, Supervising Sound Editor - Tom Ozanich, Re-recording Mixer - Dean A. Zupancic, Re-recording Mixer Be sure to...
The Immersive Sound of South of Midnight
Be sure to check out "South of Midnight," available now in Dolby Atmos, on supported systems. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the vi...
Art During War
Joining the discussion: - Cherien Dabis – Writer/Director (“All That’s Left of You”) - Ramona S. Diaz – Director (“And So It Begins”) - Gregory Nava – Writer/Director (“El Norte”) - Bao Nguyen ...
Darren Aronofsky and D.P. Matthew Libatique on the Cinematography of Caught Stealing
Be sure to check out “Caught Stealing,” now streaming on Netflix, in Dolby Vision® and Dolby Atmos®. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out...
The Music of A House of Dynamite, with Composer Volker Bertelmann
Be sure to check out “A House of Dynamite,” now streaming on Netflix in Dolby Vision® and Dolby Atmos®. And check out our other episode with Director Kathryn Bigelow and the creative team behind “...
Guillermo del Toro and D.P. Dan Laustsen on the Cinematography of Frankenstein
Be sure to check out “Frankenstein,” now streaming on Netflix — in Dolby Vision® and Dolby Atmos® — and in select theaters. Check out our playlist of exclusive interviews with the 2026 Academy Awa...
The Music of Hamnet, with Composer Max Richter
Be sure to check out “Hamnet,” now playing in theaters in Dolby Vision® and Dolby Atmos®, where available. Check out our playlist of exclusive interviews with the 2026 Academy Award® nominees. Pl...
The Sound of Wicked: For Good
Joining today’s conversation: - John Marquis, Supervising Sound Editor / Sound Designer / Re-Recording Mixer - Andy Nelson, Re-Recording Mixer - Jack Dolman, Supervising Music Editor - Nancy Nu...
The Cinematography of Wicked: For Good, with Alice Brooks and Jon M. Chu
Be sure to check out “Wicked: For Good,” now playing in theaters and Dolby Cinemas®, in Dolby Vision® and Dolby Atmos®. - Our previous episodes of Dolby Creator Lab with the artists behind Wicked...
The Music of Sinners, with Ludwig and Serena Göransson
Be sure to check out “Sinners,” now streaming on HBO Max, in Dolby Vision® and Dolby Atmos®. Check out our playlist of exclusive interviews with the 2026 Academy Award® nominees. Please subscribe...
The Music of Frankenstein with Composer Alexandre Desplat
Be sure to check out “Frankenstein,” now streaming on Netflix — in Dolby Vision® and Dolby Atmos® — and in select theaters. Check out our playlist of exclusive interviews with the 2026 Academy Awa...
Redefining the Romantic Comedy, with Materialists Director Celine Song
Be sure to check out “Materialists,” now streaming on HBO Max in Dolby Atmos®. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the video for this ep...
The Music of Bugonia with Composer Jerskin Fendrix
Check out our playlist of exclusive interviews with the 2026 Academy Award® nominees. You can watch our episode with Director Yorgos Lanthimos & Sound Designer Johnnie Burn on the Sound of “Bugoni...
Director Yorgos Lanthimos and Sound Designer Johnnie Burn on the Sound of Bugonia
Be sure to check out “Bugonia,” now playing in theaters in Dolby Atmos®, where available. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the video ...
Director Kathryn Bigelow and the Creative Team behind A House of Dynamite
Joining this conversation: - Barry Ackroyd - Director of Photography - Kirk Baxter - Editor - Volker Bertelmann - Composer - Jeremy Hindle - Production Designer - Paul N.J. Ottosson - Re-recor...
If I Had Legs I’d Kick You, with Director Mary Bronstein
Despite its relatively small budget, quite a lot of work went into the sound design of the film, with a sometimes unconventional, yet wildly effective approach to sound as a storytelling tool. Be ...
Creative Sound Design for Short Films, from Aspen Shortsfest 2025
From crafting immersive soundscapes to collaborating with sound designers and mixers under tight deadlines, this panel reveals how powerful sound choices can transform a story — even with limited r...
The Sound and Cinematography of Adolescence
Joining today’s conversation: - Philip Barantini, Director, Executive Producer - Matthew Lewis, Director of Photography, Camera Operator - James Drake, Supervising Sound Editor, Re-Recording Mix...
The Music of The Fantastic Four: First Steps
Be sure to check out “Fantastic Four: First Steps,” now playing in theaters and Dolby Cinemas® in Dolby Vision® and Dolby Atmos®. Please subscribe to Dolby Creator Talks wherever you get your podc...
The Music of Superman
Be sure to check out “Superman,” now playing in theaters and Dolby Cinemas®, in Dolby Vision® and Dolby Atmos®. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can als...
Gareth Edwards and the Sound of Jurassic World: Rebirth
Joining today’s conversation: - Gareth Edwards - Director - Tim Nielsen - Sound Designer and Supervising Sound Editor - Bjørn Ole Schroeder - Supervising Sound Editor - Pete Horner - Re-recordi...
The Sound of F1: The Movie
Joining today’s conversation: - Al Nelson – Supervising sound editor/sound designer - Juan Peralta – Re-recording mixer - Gary Rizzo – Re-recording mixer - Gwendolyn Yates Whittle – Supervising...
The Music of Elio with Composer Rob Simonsen
Be sure to check out “Elio,” now in theaters and Dolby Cinemas®, in Dolby Vision® and Dolby Atmos®. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out ...
FKA twigs - Eusexua in Dolby Atmos, featuring Mix Engineer Alex Gamble
Stay connected! - You can listen to FKA twigs - Eusexua as well as many other classic and contemporary artists in Dolby Atmos, on enabled streaming services. - Follow FKA twigs on Instagram and Y...
Making Black Mirror: “USS Callister: Into Infinity”
NOTE: This interview contains spoilers from both Black Mirror: “USS Callister” episodes. Joining today’s conversation: - Toby Haynes - Director - Tom Jenkins - Supervising Sound Editor - James ...
Netflix FYSEE Sonic Showcase 2025
Panelists include: - James Drake — Supervising Sound Editor, “Adolescence” - Wylie Stateman — Sound Designer, “American Primeval” - Anne Jimkes-Root — Co-Supervising Sound Editor and Music Edito...
The Cinematography of The Studio
Be sure to check out “The Studio,” now streaming on AppleTV+, in Dolby Vision® and Dolby Atmos®. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the...
The Cinematography of Severance
Be sure to check out “Severance,” now streaming on AppleTV+, in Dolby Vision® and Dolby Atmos®. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the ...
The Sound of Severance
NOTE: This episode contains SPOILERS from the second season and season finale of Severance. Be sure to check out “Severance,” now streaming on AppleTV+, in Dolby Vision® and Dolby Atmos®. Please ...
Mixing Audio at Telemundo with JC Aguila
To experience some of JC’s work, tune into virtually any live broadcast on Telemundo. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the video for ...
The Sound of Andor Season 2
Be sure to check out “Andor,” all episodes now streaming on Disney+, in Dolby Vision® and Dolby Atmos®. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check ...
Doechii’s Alligator Bites Never Heal in Dolby Atmos
Stay connected! - You can listen to Doechii’s “Alligator Bites Never Heal,” as well as many other classic and contemporary artists in Dolby Atmos, on enabled streaming services. - Follow Doechii ...
The Sound of Star Wars Outlaws
Joining today’s conversation from Massive Entertainment: - Simon Koudriavtsev - Audio Director - Jacob Coles - Lead Audio Designer - Martin Weissberg - Principal Audio Designer - Simon Siegfrie...
Cinema of Empathy, hosted by Carlos López Estrada
Joining the discussion: - Andrew Ahn – Filmmaker (“Fire Island,” “Driveways”) - Patricia Cardoso – Filmmaker (“Real Women Have Curves”) - Marcus Gardley – Screenwriter, Playwright (“The Color Pu...
The Sound of Helldivers 2
Joining the discussion: - Harvey Scott, Project Audio Director - Juuso Tolonen, Project Lead Sound Designer - Paola Velasquez, Senior Dialogue Designer - Simon Gumbleton, Senior Technical Sound...
Empowering Creatives Through Dolby Atmos, Live at SXSW
Joining the conversation: - Annalee Knies - Guitar, Vocals - autumnal - Geneva Hein - Synth, Vocals - autumnal - Justice Murray - Bass - autumnal - Jim Eno - Musician, Producer, Project Tractio...
First-time Filmmakers at Sundance 2025, Hosted by Carlos López Estrada
Joining the discussion are: - Eva Victor - “Sorry, Baby” - Joel Alfonso Vargas - “Mad Bills to Pay: (or Destiny, dile que no soy malo)” - Cole Webley - “Omaha” - Katarina Zhu - “Bunnylovr” - S...
Meet the Nominees - Best Cinematography, Original Score, and Sound - Oscars 2025
ORIGINAL SCORE 10:29 - “The Brutalist” - Daniel Blumberg 11:18 - “Conclave” - Volker Bertelmann 13:04 - “Emilia Pérez” - Clément Ducol and Camille 14:20 - “Wicked” - John Powell and Stephen Sch...
Lol Crawley and the Cinematography of The Brutalist
Be sure to check out “The Brutalist,” now in theaters. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the video for this episode. Learn more about...
Ed Lachman and the Cinematography of Maria
Be sure to check out “Maria,” now streaming on Netflix, in Dolby Vision® and Dolby Atmos®. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the video...
Kris Bowers and the Music of The Wild Robot
Be sure to check out “The Wild Robot,” now available to stream and on Blu-ray, in Dolby Vision® and Dolby Atmos®. The soundtrack to “The Wild Robot” by Kris Bowers is also available to stream on A...
Capturing Wicked's Live Singing with Simon Hayes
Be sure to check out “Wicked,” now available to stream at home in Dolby Vision® and Dolby Atmos®. And don’t miss our previous episode featuring Stephen Schwartz and the music team behind “Wicked, ...
Daniel Blumberg and the Music of The Brutalist
Be sure to check out “The Brutalist,” now playing in theaters. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the video for this episode. Learn mo...
Volker Bertelmann and the Music of Conclave
Be sure to check out “Conclave,” now in theaters and available to stream in Dolby Vision® and Dolby Atmos®. Volker Bertelmann’s soundtrack to “Conclave” is also available to stream on Apple Music ...
Jarin Blaschke, Robert Eggers, and the Cinematography of Nosferatu
This conversation was a live webinar as part of Dolby Creator Lab’s partnership with Sundance Collab, the digital platform from the Sundance Institute designed for filmmakers, with exclusive webina...
St. Vincent’s All Born Screaming in Dolby Atmos
You can listen to St. Vincent’s “All Born Screaming,” as well as many other classic and contemporary artists in Dolby Atmos, on enabled streaming services. Interested in creating content in Dolby ...
De La Soul’s 3 Feet High and Rising in Dolby Atmos - Reimagining the Classics
This interview is part of our ongoing music series, "Reimagining the Classics." You can listen to De La Soul, as well as many other classic and contemporary artists in Dolby Atmos, on enabled stre...
Director Steve McQueen and the Sound of Blitz
Joining today’s conversation: - Sir Steve McQueen – Director, Producer, and Screenwriter - Paul Cotterell – Re-Recording Mixer and Supervising Sound Editor - James Harrison – Re-Recording Mixer ...
Packaging Your First Film, hosted by Carlos López Estrada
Joining the discussion: - Alex Coco – Producer (“ANORA”) - Dave Green – Director (“Teenage Mutant Ninja Turtles”) - Chris Quintos Cathcart – Independent Film Financier (“Dìdi”) - Phil Sun – Pre...
Daft Punk in Dolby Atmos - Reimagining the Classics
Mick takes us back to the album’s original recording sessions, sharing how he and Daft Punk meticulously crafted the sound that went on to win Album of the Year in 2013. Robert adds his perspective...
Director Robert Eggers and the Bloodcurdling Sound of Nosferatu
Joining today’s conversation: - Damian Volpe - Sound Designer, Supervising Sound Editor, and Re-recording Mixer - Robert Eggers - Director, Writer, and Producer Damian Volpe also wanted to thank...
The Operatic Sound of Pablo Larraín’s Maria
From live on-set vocal performances to intricate post-production layering, the team reveals their cutting-edge techniques for weaving together these extraordinary performances into a seamless audit...
Director James Mangold and the Sound and Music of A Complete Unknown
Joining the conversation: - James Mangold, Director, Co-Writer, and Producer - Ted Caplan, Supervising Music Editor - Tod Maitland, Sound Mixer - Donald Sylvester, Supervising Sound Editor - P...
Director Jon M. Chu and the Sound and Editing Wizards of Wicked
Joining the discussion: - Jon M. Chu – Director - Myron Kerstein – Editor - John Marquis – Supervising Sound Editor, Sound Designer, Re-Recording Mixer - Nancy Nugent Title – Supervising Sound ...
The Sound and Music of Nickel Boys, with Director RaMell Ross
NOTE: This interview contains spoilers! Joining the discussion are: - RaMell Ross – Co-Writer and Director - Alex Somers – Composer - Scott Alario – Composer - Tony Volante – Supervising Sound...
The Making of Emilia Pérez
Joining today’s conversation are: - Juliette Welfling – Editor - Paul Guilhaume – Director of Photography - Cyril Holtz – Re-Recording Mixer & Sound Supervisor - Clément Ducol – Composer - Cam...
The Music of Wicked
Be sure to check out “Wicked,” now in theaters in Dolby Vision® and Dolby Atmos®. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the video for this...
The Music of Gladiator II, with Composer Harry Gregson-Williams
Be sure to check out “Gladiator II,” now in theaters and Dolby Cinemas in Dolby Vision® and Dolby Atmos®. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also chec...
Director Denis Villeneuve and the Sound of Dune: Part Two
Joining today’s conversation: - Richard King - Supervising Sound Editor and Sound Designer - Ron Bartlett - Re-Recording Mixer - Doug Hemphill - Re-Recording Mixer - Clint Bennett - Supervising...
Mixing Live Sports in Dolby Atmos, with Glenn Stilwell
Special thanks to Major League Baseball and Apple for this week’s episode. You can find MLB’s Friday Night Baseball, now exclusively on Apple TV+. Please subscribe to Dolby Creator Talks wherever ...
The Art of Pitching, Hosted by Carlos López Estrada
Joining today’s discussion are: - Marvin Lemus – Director, Co-creator, and Co-showrunner of Netflix's Gentefied - Sadé Clacken Joseph – Director of Rap Sh!t on HBO Max, CEO of Out of Many Media ...
Inside the Hollywood Writer’s Room, Hosted by Carlos López Estrada
Joining today’s discussion are: - Teresa Hsiao – Writer, Producer, and Co-creator of “Awkwafina is Nora from Queens” - Charise Castro Smith – Writer, Director, and Academy Award®-winning Co-write...
The Sound and LEGO Animation of Piece by Piece, with Director Morgan Neville
Be sure to check out Piece by Piece, now in theaters and Dolby Cinemas in stunning Dolby Vision® and Dolby Atmos®. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can ...
The Music of Joker: Folie à Deux, with Composer Hildur Guðnadóttir
Be sure to check out “Joker: Folie à Deux,” now in theaters, in Dolby Vision® and Dolby Atmos®. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the ...
The Sound of The Outrun, with Director Nora Fingscheidt
Joining today’s discussion: - Nora Fingscheidt - Director and Co-Writer - Gregor Bonse - Re-Recording Mixer - Dominik Leube - Supervising Sound Editor & Sound Mixer - Oscar Stiebitz - Sound Des...
The Sound of The Wild Robot, with Writer/Director Chris Sanders
Joining today’s discussion: - Chris Sanders - Writer and Director - Randy Thom - Sound Designer - Gary Rizzo - Re-recording Mixer - Leff Lefferts - Re-recording Mixer & Supervising Sound Editor...
David Bowie in Dolby Atmos - Reimagining the Classics
Ken Scott is a legend in the world of music production and engineering, and he takes our guest host, Ben Givarz, inside the studio with David Bowie to explore the production of the original album a...
Reimagining Indie Financing: The Sing Sing Case Study
Joining today’s discussion: - Carlos López Estrada - Moderator - Valerie Bush - Moderator - Greg Kwedar - Producer, Director, and Writer, Sing Sing - Clint Bentley - Producer and Writer, Sing S...
Rush in Dolby Atmos - Reimagining the Classics
In this conversation with guest host Ben Givarz, Richard shares his process for respecting the creative intent of these timeless tracks while adapting them to Dolby Atmos, ensuring an immersive exp...
Tom Petty in Dolby Atmos - Reimagining the Classics
Ryan has been a recording engineer and producer for over 40 years, with credits on over 120 albums, and has been at the forefront of immersive audio for over 20. In this conversation with guest hos...
Bryan Ferry and Roxy Music in Dolby Atmos - Reimagining the Classics
They dive deep into the background of the recording and engineering processes they used on these and other legendary Roxy Music records in the 70s and 80s, as well as how they used the original mul...
The Emmy-nominated Sound Work of Ripley
Today we are joined by members of the sound team behind the show, including: - Larry Zipf, Co-supervising Sound Editor/Sound Designer and Re-recording Mixer - Michael Feuser, Co-supervising Sound...
Understanding the Hollywood Studio, Hosted by Carlos López Estrada
Joining the discussion are: - Vanessa Morrison, President of Streaming, Walt Disney Studios Motion Picture Production - Mika Pryce, Senior Vice President of Production, Paramount Pictures - Shei...
The Music of Star Wars: The Acolyte
Be sure to check out “Star Wars: The Acolyte,” now streaming on Disney+. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the video for this episode....
How Sundance-Award Winner “Dìdi” Became a Reality
Today’s panel also includes: - Sean Wang - Director, Writer, Producer - Izaac Wang - Actor (“Chris Wang”) - Joan Chen - Actor (“Chungsing Wang”) - Valerie Bush - Producer - Sam Davis - Directo...
A-List Colorist Stefan Sonnenfeld
If you aren’t aware of Stefan, you’ve almost certainly seen his work. Some of his recent projects include “Top Gun: Maverick,” “The White Lotus,” and “Guardians of the Galaxy, Vol. 3.” His credit l...
Blending Fantasy with Reality in HBO’s Ren Faire
This conversation was recorded in-person, in front of a live audience at Dolby’s screening room in mid-town Manhattan, as part of our ongoing collaboration with the Artist Academy and Film at Linco...
Artificial Intelligence in Filmmaking, Hosted by Carlos López Estrada
Joining the discussion are: - Jorge R. Gutierrez (Filmmaker - “The Book of Life,” “Maya and the Three”) - Isa Mazzei (Filmmaker - “Cam,” “How to Blow Up a Pipeline”) - Paul Trillo (Filmmaker, Vi...
The Star-Studded Audio Dramatization of George Orwell’s 1984
You can experience “George Orwell’s 1984” on Audible in Dolby Atmos®, which fully immerses the listener into this chilling, dystopian world. Please subscribe to Dolby Creator Talks wherever you ge...
The Music of Furiosa: A Mad Max Saga
Regular guest host Jon Burlingame joins the podcast to discuss Holkenborg’s hands-on approach to crafting the music for this film, which included an unusual addition to his typical job of composer....
The Immersive Sound of Baldur’s Gate 3
Be sure to check out “Baldur’s Gate 3”, available on PC, Steam, and consoles. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the video for this epi...
3 Body Problem - Adapting the “Unadaptable”
Rounding out the discussion are: The show is based on a series of bestselling books by Liu Cixin — which, famously, have been described as “unadaptable” to film & TV, due to the complexities of pa...
Filming The American Society of Magical Negroes
This conversation was a live webinar as part of the Dolby Institute’s partnership with Sundance Collab, the digital platform from the Sundance Institute designed for filmmakers, with exclusive webi...
The Making of Masters of the Air
Joining our conversation: - Supervising Sound Editor Jack Whittaker - Re-recording Mixer Duncan McRae - Re-recording Mixer Michael Minkler - Composer Blake Neeley - Cinematographer Jac Fitzger...
Is “No Budget Filmmaking” a Fantasy? Hosted by Carlos López Estrada
Today’s panel includes independent filmmakers: - Bao Nguyen (The Greatest Night in Pop, Be Water) - Rishi Rajani (The Chi, Being Mary Tyler Moore, A Thousand and One) - Justin Simien (Dear White...
Hans Zimmer and the Score of Dune: Part Two
Be sure to check out “Dune: Part Two,” now in theaters, in Dolby Vision® and Dolby Atmos®, where available. Don’t miss our previous episode this week, with “Dune” cinematographer Greig Fraser, ava...
Greig Fraser and the Cinematography of Dune: Part Two
“Whenever you do a movie, you've got to solve a series of problems... And a lot of the technical stuff had been solved for us in advance, because we'd done part one. So this allowed us the opportun...
Best Cinematography Nominees: Academy Awards 2024
NOTE: As always, all nominees are invited to join our conversations. Unfortunately, due to scheduling, Matthew Libatique (Maestro) was not able to join us. FULL EPISODES: El Conde - Edward Lachma...
Best Sound Nominees: Academy Awards 2024
FULL EPISODES: The Creator (episode 165) - YouTube - https://youtu.be/JUPgZbDdTLw - Spotify - https://open.spotify.com/episode/36J65DI2AfqFKu6jzxPDZu - Apple Podcasts - https://podcasts.apple.c...
Best Original Score Nominees: Academy Awards 2024
NOTE: As always, all nominees are invited to join our conversations. Unfortunately, due to scheduling, John Williams (Indiana Jones and the Dial of Destiny) was not able to join us. And as you may ...
Director Gareth Edwards and the Oscar-Nominated Visual Effects of The Creator
Joining Gareth: - Director of Photography, Oren Soffer. - Jay Cooper, Visual Effects Supervisor: Industrial Light & Magic. - Andrew Roberts, Visual Effects On-Set Supervisor: Industrial Light & ...
The Oscar-Nominated Sound Team Behind Bradley Cooper's Maestro
Today’s panel includes: - Richard King, Sound Designer & Supervising Sound Editor. - Tom Ozanich, Re-recording Mixer. - Dean A. Zupancic, Re-recording Mixer. - Steven Morrow, Production Sound M...
The Cinematography of El Conde, with DP Edward Lachman
“El Conde” is now streaming on Netflix, in Dolby Vision® and Dolby Atmos®. Be sure to check it out ahead of the Academy Awards, live from the Dolby Theatre® on March 10th! For more awards season c...
The Cinematography of Poor Things, with DP Robbie Ryan
In today’s episode, he discusses his second collaboration with director Yorgos Lanthimos on the film "Poor Things," following their acclaimed work together on "The Favourite," which earned Robbie h...
The Cinematography of Killers of the Flower Moon, with DP Rodrigo Prieto
Be sure to check out “Killers of the Flower Moon” ahead of the Academy Awards, live from the Dolby Theatre® on March 10th! Please subscribe to The Dolby Institute Podcast wherever you get your pod...
The Oscar-Nominated Sound Team Behind Oppenheimer
Today’s panel includes: - Richard King - Sound Designer and Supervising Sound Editor - Gary A. Rizzo - Re-recording Mixer - Kevin O’Connell - Re-recording Mixer - Willie D. Burton - Production ...
The Cinematography of Oppenheimer, with DP Hoyte Van Hoytema
Be sure to check out “Oppenheimer” ahead of the Academy Awards, live from the Dolby Theatre® on March 10th! For more awards season coverage, please subscribe to The Dolby Creator Talks Podcast whe...
Oscar Nominee Laura Karpman on the Music of American Fiction
Be sure to check out “American Fiction” ahead of the Academy Awards, live from the Dolby Theatre® on March 10th! For more awards season coverage, please subscribe to The Dolby Creator Talks Podcas...
First-Time Filmmakers at Sundance, Hosted by Carlos López Estrada
Today’s panel includes directors: - Alessandra Lacorazza (“In the Summers”) - Laura Chinn (“Suncoast”) - Titus Kaphar (“Exhibiting Forgiveness”) - India Donaldson (“Good One”) - Sean Wang (“Dì...
The Music of Spider-Man: Across the Spider-Verse
Be sure to check out “Spider-Man: Across the Spider-Verse,” in Dolby Vision® and Dolby Atmos®, now streaming on Netflix. Please subscribe to The Dolby Institute Podcast wherever you get your podca...
Demystifying Sundance, Hosted by Carlos López Estrada
Today’s panel includes: Once again, this discussion was streamed live as part of Antigravity Academy’s Satellite Sessions — “monthly conversations with incredibly exciting figures from the film an...
The Music of The Color Purple
Our guest host, music journalist Jon Burlingame, returns to the Dolby Institute Podcast to speak with Kris and Blitz about their collaboration on the film, which began very early in the filmmaking ...
Director Jonathan Glazer and the Sound of The Zone of Interest
Joining the discussion is producer James Wilson, as well as Johnnie Burn, the film’s sound designer, supervising sound editor, and re-recording mixer, whose work on this film also received a 2024 A...
The Making of Society of the Snow
Director of Photography Pedro Luque and Sound Designer Oriol Tarragó also join us to discuss how they crafted this riveting retelling of the infamous 1972 Andes flight disaster, where a team of rug...
The Music of Poor Things
Our guest host, music journalist Jon Burlingame, returns to the Dolby Institute Podcast to discuss Jerskin’s background, creative process, and what it was like to work with Lanthimos for the compos...
Cinematographers and their First Features, Hosted by Carlos López Estrada
Today’s panel includes Directors of Photography: - Mandy Walker (Elvis, Mulan, Hidden Figures, Australia) - Larry Fong (300, Batman V. Superman, Kong: Skull Island, the pilot of LOST) - Lawrence...
Saltburn - The Sound of Emerald Fennell’s Wicked New Film
Joining the conversation with Fennell are supervising sound editors Nina Hartstone and Eilam Hoffman, production sound mixer Nina Rice, and re-recording mixers Adam Scrivener and Jasper Thorn. SPO...
Screenwriting for Change, Hosted by Carlos López Estrada
These talented writers have not only enjoyed enormous success in the industry, but have also brought their own fresh perspectives which have been missing for a long time in Hollywood. Including nar...
Conversations with Colorists: Picture Shop
Joining the discussion are three of the top colorists working in film & television today — Tony D’Amore, Paul Westerbeck, and Frederik Bokkenhauser, all senior colorists at Picture Shop: https://p...
Producers Searching for New Voices, Hosted by Carlos López Estrada
Joining Carlos are producers: - Christina Oh, Producer, “Minari” - Poppy Hanks, Executive Producer, “Judas and the Black Messiah” - Michael Gottwald, Producer, “Beasts of the Southern Wild” - A...
The Sound of The Creator with Director Gareth Edwards
Joining the director to discuss all this and more are sound designers and supervising sound editors Erik Aadahl and Ethan Van Der Ryn, along with re-recording mixers Tom Ozanich and Dean A. Zupanci...
Creative Sound Design at Aspen Shortsfest 2023
To help us answer those questions and more, Glenn moderates a panel discussion with some of the filmmakers from this year’s Aspen Shortsfest — which is, without question, one of the best film festi...
Academy Award® and Emmy-Winning Composer Hildur Guðnadóttir - A Haunting in Venice
Our guest host, music journalist Jon Burlingame, returns to the Dolby Institute Podcast to speak with Hildur about her work on this film as well as her vast knowledge of music history from this per...
The Miracle of Making a First Film, Hosted by Carlos López Estrada
Joining Carlos are filmmakers: Sian Heder (CODA) Reinaldo Marcus Green (King Richard) Nikyatu Jusu (Nanny) Randall Park (Shortcomings) This discussion was streamed live as part of Antigravity ...
The Sound of Neill Blomkamp’s Gran Turismo
Joining the conversation are the film’s supervising sound editors, Kami Asgar and Erin Oakley, as well as re-recording mixer — and real-life race car driver — Beau Borders, who brought his personal...
The Emmy-Nominated Sound and Cinematography of Guillermo del Toro's Cabinet of Curiosities
Executive Producer (and co-showrunner) J. Miles Dale joins us on the podcast to discuss the horror anthology series Guillermo del Toro's Cabinet of Curiosities, which was recently nominated for sev...
The Making of Sundance Hit - The Pod Generation
The Pod Generation is currently in theaters, in Dolby Vison® and Dolby Atmos®, where available. Please subscribe to The Dolby Institute Podcast wherever you get your podcasts. You can also check ...
The Making of Still: A Michael J. Fox Movie
Still: A Michael J Fox Movie is now streaming on Apple TV+ in Dolby Vision® and Dolby Atmos®. Please subscribe to The Dolby Institute Podcast wherever you get your podcasts. You can also check ou...
The Music of Mission: Impossible - Dead Reckoning Part One
Be sure to check out the latest Mission: Impossible at a Dolby Cinema®, so you can enjoy the film in Dolby Vision® and Balfe’s score in stunning Dolby Atmos®. Please subscribe to The Dolby Institu...
The Music of Oppenheimer
Be sure to check out Oppenheimer at a Dolby Cinema® so you can enjoy the film and Göransson’s score in stunning Dolby Atmos®. Please subscribe to The Dolby Institute Podcast wherever you get your ...
The Sound of Mission: Impossible - Dead Reckoning Part One
If you haven’t already, be sure to see Mission: Impossible - Dead Reckoning Part One in a Dolby Cinema®: Please subscribe to The Dolby Institute Podcast wherever you get your podcasts. You can al...
Cinematographer Phedon Papamichael on Indiana Jones and The Dial of Destiny
Be sure to check out Indiana Jones and The Dial of Destiny, in Dolby Vision® and Dolby Atmos®, where available. Please subscribe to The Dolby Institute Podcast wherever you get your podcasts. You...
Why Disney and Pixar’s Elemental is their "Most Ambitious" Movie to Date
We discuss Pixar’s famously demanding story development process and why this film took years just to get to an outline, how this film deals with some much more grown-up themes than the typical Pixa...
Directing DAHMER with Paris Barclay
So why did Paris decide to take the gig, and how did he manage to craft such beautiful and heartbreaking stories depicting the impact of one of the most grim serial killers in history? This is jus...
The Making of DAHMER
Joining us is Executive Producer and president of Ryan Murphy Productions Alexis Woodall, Re-recording Mixer Laura Wiest, Production Sound Mixer Amanda Beggs, and Producer & Supervising Editor Regi...
Directing Advice for First-Time Filmmakers
What hard lessons did they learn? And what would they do differently next time? These insights are from a group of young filmmakers who took part in the “Finish the Script Challenge,” a collaborat...
Robert Rodriguez (and Family) on the Making of Hypnotic
Be sure to check out Hypnotic, now in theaters. Please subscribe to The Dolby Institute Podcast wherever you get your podcasts. You can also check out the video for this episode. About Dolby: Do...
Making the Sundance Hit - Polite Society
Joining us on the podcast is the team who “found it.” Writer and director Nida Manzoor, director of photography (and Aikido black belt) Ashley Connor, sound designer and supervising sound editor Ja...
The Sound of Evil Dead Rise
We have some “epic” clips to share with you, as well as a breakdown of that excruciating cheese grater sequence, so this episode is not for the squeamish. This interview was recorded live at the 20...
How to Make an Indie Film in 2023
This panel was moderated by independent producer Kennedy Davey at the 2023 SXSW Film Festival, where “You Sing Loud, I Sing Louder” and “Cora Bora” had their premieres. Please subscribe to The Dol...
Darren Aronofsky’s Longtime Collaborator Craig Henighan on the Dolby Atmos Remaster of Pi
Craig also dishes on the collaborative process of working with legendary directors such as Aronofsky and Alfonso Cuarón (Roma), the latter of whom helped earn Craig his first Academy Award nominati...
The Future of Film Festivals — on Location at SXSW
Please subscribe to The Dolby Institute Podcast wherever you get your podcasts. You can also check out the video for this episode. Learn more about the Dolby Institute and check out Dolby.com. Co...
Best Cinematography Nominees: Academy Awards 2023
Table of Contents: This is a super-sized episode because each of these interviews are brand new and exclusive to The Dolby Institute Podcast. So get your Oscar ballot ready and enjoy these in-dept...
Best Sound Nominees: Academy Awards 2023
ALL QUIET ON THE WESTERN FRONT —Viktor Prášil, Frank Kruse, Markus Stemler, Lars Ginzel, and Stefan Korte AVATAR: THE WAY OF WATER — Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christ...
The Sound of Babylon
Joining us today is re-recording mixer, sound designer, and supervising sound editor Ai-Ling Lee; supervising sound editor Mildred Iatrou Morgan; and production sound mixer Steve Morrow. If you’ve...
The Sound of Avatar: The Way of Water
Joining us is four-time Academy Award winning re-recording mixer, supervising sound editor, and sound designer Christopher Boyes; supervising sound editor Dick Bernstein; re-recording mixer Michael...
The Sound of All Quiet on the Western Front (2022)
During the conversation, Berger also discusses why he felt now was the ideal time to tackle this adaptation of the classic World War I novel, and how the team approached the sound design and mix fo...
The Sound of Nanny
Now that "Nanny" is available to stream on Prime Video, we recently sat down with writer-director Nikyatu Jusu, supervising sound editor Dave Flynch, and Academy Award winning re-recording mixer Sk...
The Sound of Guillermo del Toro’s Pinocchio
Joining the discussion is sound supervisor Scott Gershin, along with re-recording mixers Frank A. Montaño and Jon Taylor, the latter of whom you may remember from our episode on BARDO from earlier ...
Director Alejandro Iñárritu and the Sound of BARDO
Since this episode focuses almost exclusively on the sound of the film, joining the conversation is much of the film’s sound team: Martín Hernández - Supervising Sound Editor and Sound Designer S...
Ron Howard and the Making of Thirteen Lives
Joining the discussion is much of the film’s post-production team: Rachael Tate, Supervising Sound Editor Oliver Tarney, Supervising Sound Editor/Sound Designer Chris Burden, Re-recording Mixer ...
Building Mars From the Ground Up: The Making of Good Night Oppy
The filmmakers had the advantage of almost a thousand hours of archival material from NASA, but since much of the film takes place “on Mars,” that came with its own unique challenges. Mark Mangini...
The Sound of Top Gun: Maverick
"The truth of flying in these airplanes is: They're not that interesting to listen to. When you're inside doing it, it looks spectacular and it feels incredible; and from the outside these jets are...
The Making of Marvel's Black Panther: Wakanda Forever
This is the first Black Panther movie since the sudden and tragic death of its star, Chadwick Boseman. But as the title implies, the filmmakers hope this film is both a fitting tribute to him as we...
Inside Pixar's Revolutionary Story & Editorial Process
It's all outlined in a new book by authors Bill Kinder and Bobbie O'Steen, "Making the Cut at Pixar: The Art of Editing Animation." Bill and Bobbie join us today to discuss the history of editing a...
The Making of Marvel’s Werewolf by Night
NOTE: This episode contains spoilers. Joining us for the discussion is much of his post-production team: Re-recording Mixer Juan Peralta, Editor Jeff Ford, Supervising Sound Editor Josh Gold, and ...
Dolby Atmos for Podcasts
NOTE: This episode features clips mixed in Dolby Atmos®. For best results, please listen to this episode with headphones! Throughout this episode, we have included several clips of recent shows, w...
Thor: Love and Thunder and Sound Design for Comedy
But how does creating a soundtrack for comedy — and specifically a superhero comedy — differ from crafting a typical superhero action movie? Joining us to discuss that on today's episode are the fi...
Creating a Successful Anthology TV Series - LOVE DEATH + ROBOTS Season 3
Season 3 of the eleven-time Emmy winning series LOVE DEATH + ROBOTS hit Netflix on May 20th and we are delighted to sit down with creator Tim Miller, supervising director Jennifer Yuh Nelson, and s...
The Duffer Brothers and Stranger Things Season 4
This is a supersized episode of the podcast with a TON of bonus guests. Joining us are the creators (as well as writers and directors) Matt and Ross Duffer; composers Kyle Dixon and Michael Stein; ...
Colin Trevorrow and the Sound of Jurassic World Dominion
— Colin Trevorrow, Director and Co-writer — Christopher Boyes, Re-recording Mixer — Pete Horner, Re-recording Mixer — Al Nelson, Sound Designer and Supervising Sound Editor — Gwendolyn Yates Wh...
Revisiting Jurassic Park’s Groundbreaking Sound Design with Gary Rydstrom
Rydstrom and his team recorded dozens of animals and layered those tracks together to create the unforgettable sounds of the dinosaurs, as showcased in the behind-the-scenes documentary: "The Makin...
jeen-yuhs: A Kanye Trilogy 20 Years in the Making
This film features some of the most intimate and vulnerable footage you may ever see of the iconic and enigmatic hip-hop star. It's clear that Kanye gave the filmmakers not just unprecedented acces...
Daniels and the Music of Everything Everywhere All at Once
Joining us again are directors Daniel Kwan and Daniel Scheinert (known collectively as "Daniels"), as well as the film's sound designer and sound effects editor, Andrew Twite, and the re-recording ...
Daniels and the Sound of Everything Everywhere All at Once
We are joined by the directors Daniel Kwan and Daniel Scheinert (known collectively as "Daniels"), as well as the film's sound designer and sound effects editor, Andrew Twite, and the re-recording ...
Conversations with Colorists
Many thanks to this week's guests: Learn more about Dolby Vision® for Content Creators here: https://professional.dolby.com/content-creation/dolby-vision-for-content-creators/ Dolby Vision® Trai...
Best Animated Feature Film Nominees: Academy Awards 2022
NOTE: As always, all nominees were invited to join our conversations and we regret that we weren't able to connect with the talented filmmakers behind FLEE in time for our podcast posting deadline....
Best Cinematography Nominees: Academy Awards 2022
NOTE: As always, all nominees were invited to join our conversations and we regret that Bruno Delbonnel and Janusz Kaminski were unavailable to join us in time for our podcast posting deadline. Th...
The Cinematography of The Batman
https://youtu.be/uZ_3Kdm_ZhE Joining Matt is Director of Photography Greig Fraser (who joins us separately, later in this episode, as he is currently on location in London), and Supervising and Le...
The Sound and Music of The Batman
In this episode we are joined by Matt and his incredible team of sound and music artists: Michael Giacchino - Composer Will Files - Supervising Sound Editor Douglas Murray - Supervising Sound Ed...
Best Sound Nominees: Academy Awards 2022
BELFAST: Denise Yarde, Simon Chase, James Mather and Niv Adiri DUNE: Mac Ruth, Mark Mangini, Theo Green, Doug Hemphill and Ron Bartlett NO TIME TO DIE: Simon Hayes, Oliver Tarney, James Harrison,...
The Sound of Steven Spielberg's West Side Story
Joining us today is the sound team behind this film, who collectively took great pains to use as many modern recording techniques available to them to create this impressive, cutting-edge soundtrac...
Let's Talk About the 2022 Academy Award Nominees
Our guests: Lon Harris — Pop Culture Writer for Screen Junkies — https://twitter.com/Lons Will Mavity — Awards Correspondent at NextBestPicture.com — https://twitter.com/mavericksmovies Jazz Tan...
"One Billion Guns!" Sound Design for Video Game Weaponry with Gearbox Software
Thanks again to Gearbox Software for joining us this week! Borderlands 3 is currently available on your favorite video game platforms. Please subscribe to Sound + Image Lab: The Dolby Institute P...
Leading with Sound in Video Game Development with Rob Bridgett
Rob is something of a visionary in their field and has a new book called, "Leading with Sound: Proactive Sound Practices in Video Game Development," where they share some of their fascinating insig...
How to Work with A-List Directors with Sound Designer Skip Lievsay
Skip's latest film, "The Tragedy of Macbeth," directed by Joel Coen is available on AppleTV+ as of January 14. Please subscribe to Sound + Image Lab: The Dolby Institute Podcast wherever you get y...
The Sound of Ghost of Tsushima
Be sure to check out "Ghost of Tsushima," available now on PlayStation 4 and PlayStation 5. Please subscribe to Sound + Image Lab: The Dolby Institute Podcast wherever you get your podcasts. You ...
The Sound of Marvel's Guardians of the Galaxy
Bringing this massive title to life was no easy endeavor, especially during a global pandemic. Yet the end result is a thrilling game with a surprisingly emotional story that is very rewarding to p...
The Sound of Guillermo del Toro’s Nightmare Alley
- Nathan Robitaille, Supervising Sound Editor - Jill Purdy, Supervising Sound Editor - Christian Cooke, Re-recording Mixer - Brad Zoern, Re-recording Mixer - Greg Chapman, Production Sound Mixe...
Guillermo del Toro: A Masterclass on Sound and Film
If you are at all interesting in filmmaking, consider this podcast episode a must-listen. This is especially true for anyone interested in what a film director does: Part two of this discussion, w...
Jane Campion and the Sound of The Power of the Dog
So many aspects of making this film were unique to Jane's filmmaking approach. Or as Robert put it: This episode offers a fascinating glimpse into their unconventional process: How they experiment...
Sir Kenneth Branagh and the Sound of Belfast
To help convey the overwhelming feeling of menace, seemingly just around every corner, the director tapped Simon Chase — Sound Supervisor and Re-recording Mixer, Niv Adiri — Academy Award-Winning R...
Lin-Manuel Miranda and the Sound of tick, tick... Boom!
We recently sat down with the director along with Tod Maitland the sound mixer, and Paul Hsu, the re-recoding mixer and supervising sound editor for the film, to discuss the unique challenges this ...
Embracing Sonic Nostalgia with "Ghostbusters: Afterlife"
Be sure to check out Ghostbusters: Afterlife at a Dolby Cinema near you. Please subscribe to Sound + Image Lab: The Dolby Institute Podcast wherever you get your podcasts. You can also check out ...
Crafting Action, Pathos, and Humor in No Time to Die
With a running time of over 2 and 1/2 hours, the sound team had their work cut out for them, and on a very tight timeline. So how did they manage to craft such an exciting, yet tender, and often hi...
Edgar Wright and the Sound and Music of "Last Night in Soho"
As always, this team has crafted an incredibly rich soundtrack, this time seamlessly melding sound design, score, and classic hit songs from the 1960s. They accomplished this by beginning work on t...
Director Denis Villeneuve and Sound Team on Dune
In the US, "Dune" is available to watch in a Dolby Cinema near you and on HBO Max. Please subscribe to Sound + Image Lab: The Dolby Institute Podcast wherever you get your podcasts. You can also ...
Quick Programming Update
We will be back to our regular schedule at the end of October with our special coverage of "Dune." We recently sat down with director Denis Villeneuve and his all-star sound team, Mark Mangini, The...
Come From Away - From 9/11 to Broadway to Your Screen
The show is set in the week following the September 11 attacks and tells the true story of what transpired when 38 planes were ordered to land unexpectedly in the small town of Gander, Newfoundland...
Deciphering the Language of Whales in "Fathom"
You may think scientific curiosity then set out to decipher this language so that we would be able to communicate with these fiercely intelligent mammals directly. But as it turns out, that is not ...
WandaVision — A Totally Different Kind of Marvel Series
Joining us this week is Danielle Dupre, Re-Recording Mixer and Dialogue Editor (and Daytime Emmy Winner); Kim Foscato, Supervising Sound Editor (and previous Primetime Emmy winner); Gwendolyn Yates...
Telling the Emotional Story of Sir David Attenborough's "Life on Our Planet" Through Sound and Editing
We're very pleased to share with you this interview with Editor Martin Elsbury, Supervising Sound Editor (and previous Emmy winner) Tim Owens, and Dubbing Mixer Graham Wild about their process of p...
Sonic World-Building on "Love, Death, and Robots"
So, just how difficult is crafting a sonic landscape for animation? Especially for animation which takes place in a completely alien landscape? And one which utilizes cutting-edge photo-realistic c...
Asking the Big Existential Questions with "Nine Days"
We recently spoke with writer and director Edson Oda, supervising sound designer Mac Smith, and re-recording mixer Brandon Proctor, about how they managed to craft such a thought-provoking film whi...
The Understated, Tragic Storytelling of "The Crown"
This week, we're speaking with two of the nominees responsible for some of that incredible storytelling, longtime collaborators Yan Miles ACE, the Editor, and Lee Walpole, the Supervising Sound Edi...
Turning 'Chaos' into a Sundance Film Festival Darling with "Summertime"
We sat down with Carlos, Kelly, and two of the poet writers of the film, Tyris Winter and Marcus James, to discuss how they managed to make such a magical film under such wild circumstances. Be su...
Breaking In - How Top Industry Pros Got Their Start
That is the number one question we get asked, so we figured maybe it was time to finally answer it. For the past few months, we've asked some of the top professionals in the fields of cinematograph...
In the Heights - From Stage to Screen
The production tapped music supervisor Steven Gizicki, who had previously worked on the very successful "La La Land," as well as Miranda's long time collaborator (and former roommate), Bill Sherman...
How to Make Chess Riveting to Watch - The Queen's Gambit
Well, we recently sat down with editor Michelle Tesoro, ACE, and sound designer Wylie Stateman to discuss how they successfully crafted such tense and thrilling scenes which even a non-chess player...
Showrunner Neil Cross and Ron Bochar on The Mosquito Coast
You can binge the entire first season of The Mosquito Coast right now on Apple TV+. Please subscribe to Sound + Image Lab: The Dolby Institute Podcast wherever you get your podcasts. You can also...
Sound Design as Score in The Killing of Two Lovers
Watch "The Killing of Two Lovers" at a cinema near you or at home on VOD now. Please subscribe to Sound + Image Lab: The Dolby Institute Podcast wherever you get your podcasts. You can also check...
Edgar Wright and Julian Slater re-release Scott Pilgrim vs. the World
Dolby had the privilege of sitting down with the director, Edgar Wright, and the Sound Designer, Julian Slater, to talk about the experience and to find out just how different this new and improved...
Innovative Sound Design for Short Films
Unfortunately, these films are not yet available to watch online, but we have clips available in the video version of this podcast, which we will encourage you to check out here: https://youtu.be/...
Best Animated Feature Nominees: Oscars 2021
Congratulations and many, many thanks to all of the nominees. We'd also like to thank Apple, Pixar, Disney, and Netflix for helping coordinate these interviews and for providing film clips to share...
Best Cinematography Nominees: Oscars 2021
Many thanks to Sean, Erik, and Phedon for joining us and congratulations to all of the nominees! Here they are, once again in alphabetical order: JUDAS AND THE BLACK MESSIAH - Sean Bobbitt, B.S.C....
Best Sound Nominees: Oscars 2021
We had some amazing conversations with each of the teams and we hope you find them as entertaining and as enlightening as we did. Here's a table of contents, in case you'd like to jump around: 00:...
That Tricky Category - The "Best Sound" Oscar, Explained
Today Glenn sits down with Teri Dorman, Kevin Collier, and Scott Millan — the current Board of Governors of the Sound Branch of the Academy of Motion Picture Arts and Sciences — to discuss the rule...
Pixar's Demanding Creative Process: The Making of "Soul"
Pete Docter, the director of "Soul" and CCO of Pixar Animation Studios joins us along with the film's producer, Pixar veteran Dana Murray, to discuss the challenges of making such an incredible ani...
Rebecca Hall and Natalia Almada on the Power of Cinematic Sound & Images
Shortly after this conversation, there was some exciting breaking news! Natalia Almada won the Sundance jury prize for Best Direction: Feature Documentary for "Users." And Rebecca Hall's "Passing" ...
David Fincher and Ren Klyce Transport Us to The Golden Age of Hollywood in "Mank"
– David Fincher, director of "Mank" Check out "Mank" on Netflix. Please subscribe to Sound + Image Lab: The Dolby Institute Podcast wherever you get your podcasts. You can also check out the vid...
Sundance Film Festival in the Time of Covid
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The Sound of Storytelling
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Dolby Vision Roundtable (Part Two)
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Sundance Co//ab: Sound Design for Indie Movies
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Dolby Vision Roundtable (Part One)
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The Sound of Unorthodox
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The Sound of Locke and Key
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The Sound of Ozark
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The Sound of Mindhunter
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The Sound of Hamilton
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The Sound of Westworld
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The Sound of The Mandalorian
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A Conversation with Sound Mixer Mark Ulano
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The Sound of Once Upon a Time in Hollywood
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The Sound of Star Wars: The Rise of Skywalker
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The Sound of Ad Astra with Gary Rydstrom
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The Sound of 1917
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The Sound of Ford v Ferrari
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The Sound of Joker
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Conversations with Sound Artists – The Irishman
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The Visual Design of Star Wars
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Conversations with Sound Artists – Star Wars
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Conversations with Sound Artists – Uncut Gems
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Conversations with Sound Artists – Rocketman
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Conversations with Sound Artists – Ford v Ferrari
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Conversations with Sound Artists – Carnival Row
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The Sound of Stranger Things 3
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Conversations with Film Sound Legends
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The Sound of Ralph Breaks the Internet
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The Making of A Star Is Born
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The Making of Roma
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The Sound of First Man
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The Sound of Bohemian Rhapsody
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The Sound of A Quiet Place
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The Making of Black Panther
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The Sound of Incredibles 2
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The Sound of Black Panther
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The Sound of A Star is Born
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The Sound of Mary Queen of Scots
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The Sound of Roma with Skip Lievsay
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Best Moments with Sound Artists: 2018 Oscars®
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The Sound of Dunkirk
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The Sound of Star Wars: The Last Jedi
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The Sound of The Shape of Water
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The Sound of Blade Runner 2049
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The Sound of Baby Driver
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Creating Sound for the Coen Brothers
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Collaborators War for the Planet of the Apes
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Collaborators Joe Wright & Craig Berkey
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Collaborators Darren Aronofsky & Craig Henighan
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Collaborators Darren Aronofsky & Craig Henighan
#Dolby #DolbyInstitute #RequiemForADream #BlackSwan #mother! #Filmmaking #DarrenAronofsky Subscribe to the Dolby Institute Podcast. Learn more about the Dolby Institute and check out Dolby.com. C...
Sound Supervisor Richard King
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Collaborators Edgar Wright and Julian Slater
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13 Hours: The Secret Soldiers of Benghazi
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The Sound of Sully with Alan Murray
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The Sound of La La Land
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The Sound of Hacksaw Ridge
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The Sound of Deepwater Horizon
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The Sound of Arrival
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Walter Murch: Sound and Film Editing (Part 2)
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Walter Murch: Sound and Film Editing (Part 1)
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Sound and Music in Creed and Fruitvale Station
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Jad Abumrad: The Sound of Radiolab
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John Roesch: The Art of Foley
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Sound and Visual Art – Creative Collaboration
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Tim Gedemer: Sound for VR
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Nevin Steinberg: The Sound of Hamilton
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The Sound of The Revenant
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The Sound of Mad Max: Fury Road
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The Sound of Sicario with Alan Murray
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Daniel Colman: Sound for Television
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Gwen Yates Whittle: Dialogue Editing and ADR
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Anna Behlmer: The Art of Sound Mixing
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Coll Anderson: Creative Sound for Documentaries
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Video Game Sound Design with Naughty Dog Studios
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Randy Thom: Writing for Sound
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